6 Screensaver _ Elisa Rigoulet for exo
Nick Bastis
Antoine Donzeaud
Jean-Baptiste Lenglet
opening 26.06.14
exhibition June 26th - July 4th, 2014 / open everyday 14-19h
Paris20 10 ter rue Bisson 75020 Paris paris20.org
Screensaver, exhibition viewNick Bastis, Antoine Donzeaud, Jean-Baptiste Lenglet
Screensaver, exhibition viewNick Bastis
Nick Bastis, David Cassidy, 2014
Laser print on shrink wrap, maxi stickers, box frame, plastic tubs, milk, water, resin
Variable dimensions
Nick Bastis, David Cassidy, 2014
Laser print on shrink wrap, maxi stickers, box frame, plastic tubs, milk, water, resin
Variable dimensions
Nick Bastis, David Cassidy, 2014
Laser print on shrink wrap, maxi stickers, box frame, plastic tubs, milk, water, resin
Variable dimensions
Nick Bastis, A grammar with projected vocabulary, 2014
16 mm transferred to digital
8’ loop
Nick Bastis, A grammar with projected vocabulary, 2014
16 mm transferred to digital
8’ loop
Nick Bastis, Yes world you are now inside, 2014
Steel, laser etched lead, mesh backpack, projector, video (3’30’’ loop)
Variable dimensions
Nick Bastis, Yes world you are now inside, 2014
Steel, laser etched lead, mesh backpack, projector, video (3’30’’ loop)
Variable dimensions
Nick Bastis, Out of yourself and into the world, 2014
Digital video
3’30’’ loop
Nick Bastis, Yes world you are now inside, 2014
Steel, laser etched lead, mesh backpack, projector, video (3’30’’ loop)
Variable dimensions
Nick Bastis, Yes world you are now inside, 2014
Steel, laser etched lead, mesh backpack, projector, video (3’30’’ loop)
Variable dimensions
Nick Bastis, Yes world you are now inside, 2014
Steel, laser etched lead, mesh backpack, projector, video (3’30’’ loop)
Variable dimensions
Screensaver, exhibition viewNick Bastis, Antoine Donzeaud, Jean-Baptiste Lenglet
Screensaver, exhibition view
Antoine Donzeaud, Jean-Baptiste Lenglet
Antoine Donzeaud, Untitled (mooning), 2014
Wood (oak parquet), canvas, marble powder, ink print on tracing paper, tape
110 x 74 x 8 cm
Screensaver, exhibition viewNick Bastis, Antoine Donzeaud, Jean-Baptiste Lenglet
Antoine Donzeaud, Untitled PE 0, 2014
Acrylic and dust on polythene, spray paint on stretcher
180 x 120 cm
Screensaver, exhibition viewNick Bastis, Jean-Baptiste Lenglet
Jean-Baptiste Lenglet, Amnésie Générale Redux, 2013-2014Multimedia installation
Variable dimensions
Jean-Baptiste Lenglet, Amnésie Générale Redux, 2013-2014
Multimedia installation
Variable dimensions
Jean-Baptiste Lenglet, Car & Driver, 2014Series of 5 silkscreen prints
71,5 x 101,5 cm, Edition of 3
Jean-Baptiste Lenglet, Car & Driver, 2014Series of 5 silkscreen prints
71,5 x 101,5 cm, Edition of 3
Jean-Baptiste Lenglet, Car & Driver, 2014Series of 5 silkscreen prints
71,5 x 101,5 cm, Edition of 3
Screensaver, exhibition viewNick Bastis, Antoine Donzeaud, Jean-Baptiste Lenglet
Screensaver, exhibition viewNick Bastis, Jean-Baptiste Lenglet
Screensaver, exhibition viewNick Bastis, Antoine Donzeaud, Jean-Baptiste Lenglet
en. BACKGROUND
SHOT
SAVER
WATCH
SCREEN is a window. IT adds to reading motion a processing extension. Sum of visions, cuts, collages.
As registration and display surface area, IT assumes a third logic: an INTERFACE that would open access to something else, neither here or behind or inside.
INTERFACE, IT mades of any object an a priori image, a GAP that must first agree to the image lifetime principle, that precedes and resists it.
This intelligent MECHANICAL, able to simulate and universalize its language, would be a step ahead. Formers prisoners before of their physical configurations, forms would explode.
The screen is no longer an area of contemplation or projection. IT is an INTERFACADE, a place of SATURATION, overlays, dissociations, duplications. A visualization passage abolishing itself as screen to feed its three-dimensional content.
Run out, produce, think in an active relationship to the virtual. Measure one’s immersion into one’s ability to make something grow up on the other side.
Dissect the old image and create "effects" of reality, big amplifiers with combinational logic. If.
Relocate oneself and find a warm place in the quadrilateral.
The surface as a powerful background.
fr. FOND
CAPTURE
ECONOMISEUR
VEILLE
L'ECRAN est une fenêtre. IL ajoute au geste de lecture une extension de traitement. Somme de visions, de coupes, de collages.
Surface d'inscription et surface de visualisation, IL suppose une troisième logique : une INTERFACE qui ouvrirait l'accès à autre chose, ni ici, ni derrière ou dedans.
INTERFACE, IL fait de tout objet une image a priori, un INTERSTICE qui doit d'abord s'accorder au principe d'existence de l'image, qui le précède et lui résiste.
Cette MECANIQUE intelligente, capable de simuler et d'universaliser son langage, aurait une longueur d'avance. Les formes avant prisonnières de leur configurations physiques exploseraient.
L'écran n'est plus une surface de contemplation, de projection. IL est une INTERFACADE, lieu de SATURATION, de superpositions, de dissociations, de dédoublements. Un passage de visualisation s'abolissant lui-même comme écran pour nourrir son contenu tridimensionnel.
S'épuiser, produire, réfléchir dans une relation active au virtuel. Mesurer son immersion à sa capacité à FAIRE GRANDIR quelque chose de l'autre côté.
Disséquer l'image ancienne et créer des "effets" de réel, de gros amplificateurs aux logiques combinatoires. Si.
Se délocaliser et se trouver un endroit au chaud au sein du quadrilatère.
La surface comme puissant fond.
Exo is Elisa Rigoulet & Antoine Donzeaud